Female Masks (Onna-kei) Noh Mask List
It is thought the Noh masks were originally from the Gigaku and Bugaku in Heian (794-1192) and Kamakura (1180-1333) during the 8th through the 14th centuries.
They are very realistic, taking their shape from the pictures and statues of Buddha. The beauty of profoundness and subtleness are lacking in these masks. Finally, during the end of the Muromachi Dynasty, these female masks were designed to portray the character of the protagonist of the Noh play.
The mask symbolizes something, which is converted to profoundness and subtly and is very different from the face of an actual woman. In one mask, one can see the feeling of joy, anger, grief, and happiness. Talent, tune and tone can shake the heart of the audience.
The effect produced there is mainly Zen Buddhism.

Noh Mask list
Click on each mask name to see the image and explanation.
Female Mask Mask name Usage of Noh play
Ko-omote-1 Senjyu,Izutsu,kakitsubata,Uneme,Kocho,
Funabenkei
Ko-omote-2 Ditto
Wakaonna-1 Shizuka,Ohharagyokou,Youkihi,Touboku,Izutsu,
Yuya,Eguchi,Soushiaraikomachi,Nonomiya,
Kamo,Hajimtomi,Seioubo,Tmakazura,
Funabenki,Momijigari
Wakaonna-2 Ditto
Zohonna-1 Tatta, Ema, Hagoromo, Seioubo, Saoyama,
Ukon, Yoshinotennin, Miwa, Taema, Momijigari,
Sessyouseki
Zohonna-2 Ditto
Masukami Semimaru, Tamakazura, Makiginu,
Tatta
Magojiro Genjikuyo, Yuya, Hanjyo
Fukai Sumidagawa, Hyakuman, Mitsuidera,
Sakuragawa, Kinuta, Ubasute, Umegae,
Hibariyama, Basyo, Kurozuka(Adachigahara),
Fujinoto,Teike
Uba Settai, Taima
Fushikizoh Matsukaze, Hajitomi,Hanagatami,
Yoshinotennin
Syakumi Sumidagawa, Hyakuman, Mitsuidera,
Sakuragawa, Kinuta, Ubasute, Umegae,
Hibariyama, Basyo, Kurozuka, Fujinoto
Kohime same as Ko-omote
Manbi Sessyouseki, Momijigari
Nakizoh Hagoromo, Tamakazura, Kamo
Oumionna Sessyouseki, Momijigari, Doujyouji
Rojyo Ubasute, Oomukomachi, Sekiderakomachi

Introduction Carving Process Noh Mask List
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